> **RAW SOURCE-FRAME AID · CROPS AND PRESENTATION SCALING ONLY · NO ENHANCEMENT OR INTERPOLATION**
> **RAW SOURCE-FRAME AID · CROPS AND PRESENTATION SCALING ONLY · NO ENHANCEMENT OR INTERPOLATION**
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> **RAW SOURCE-FRAME AID · CROPS AND PRESENTATION SCALING ONLY · NO ENHANCEMENT OR INTERPOLATION** The critical distinction is therefore **complete silhouette versus partial surface**. Panel A supports a saucer-like screen silhouette. Panel B supports a convex hull section and rim, not a full teardrop planform. Panels C and D show that the later production itself continues to use complete disc/lenticular craft forms.
Does the apparent change from saucer to teardrop indicate a real morphology discontinuity between the original Ivan0135 material and the later qtecqot continuation? The raw comparison does not support a categorical “the craft became a teardrop” finding. It supports a narrower claim: **the later Tin Bird primer uses a much closer, more asymmetric composition whose partial hull creates a teardrop impression.** Whether the unseen remainder is circular, lenticular, tapered, or a different vehicle cannot be recovered from this shot.
The apparent discrepancy is real as a **viewer impression**, but it is not yet a demonstrated **craft-shape contradiction**. The original Ivan0135 Tin Bird is saucer-like. The later qtecqot Tin Bird primer is plausibly teardrop-like only after mentally completing geometry that remains outside the frame. Complete qtecqot Mk.4 and Mk.5 views retain a domed disc/lenticular grammar. My current assessment is: - **Medium confidence:** the early shot shows an oblate/saucer-like image-plane silhouette. - **High confidence:** the later Tin Bird primer does not expose a complete planform and cannot by itself establish a teardrop craft. - **Medium confidence:** the later production retains disc morphology elsewhere and i...
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Release_4/Analysis/images/skinny-bob/case-images/skinny-bob-craft-morphology-raw-comparison.png · Updated 2026-08-04
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